Scientific Marvel
Winner, 2024 Governor General's Literary Award for Poetry
Winner, 2024 League of Canadian Poets Raymond Souster Award
Finalist, 2024 League of Canadian Poets Gerald Lampert Memorial Award
CBC Best Book of 2024
Marked by rhythmic drive, humour, and surprise, Undiās poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba.
Firmly grounded in the local, the arresting poems in Chimwemwe Undiās debut collection, Scientific Marvel, are preoccupied with Winnipeg in the way a Winnipegger is preoccupied with Winnipeg, the way a poet might be preoccupied with herself: through history and immigration; race and gender; anxieties and observation. Marked by rhythmic drive, humour and surprise, Undiās poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba, and the west. Taking its title from a beauty school in downtown Winnipeg that closed in 2017 after nearly 100 years of operation, Scientific Marvel approaches the prairies from the point of view of a person who is often erased from the prairiesā idea of itself. āI mean my country the way / my country means my country / and what else is there to say? / I am bad and brown / and trying. Nothing here / belongs to me or could / or ever will.ā
This is poetry that touches on challenging topicsāfrom queerness and colonialism to racism, climate rage, and decolonization, while never straying far from specific lived experience, the so-called āsmallerā questions: about self, art, dance parties and pop culture, relationships and love.

Description
Winner, 2024 Governor General's Literary Award for Poetry
Winner, 2024 League of Canadian Poets Raymond Souster Award
Finalist, 2024 League of Canadian Poets Gerald Lampert Memorial Award
CBC Best Book of 2024
Marked by rhythmic drive, humour, and surprise, Undiās poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba.
Firmly grounded in the local, the arresting poems in Chimwemwe Undiās debut collection, Scientific Marvel, are preoccupied with Winnipeg in the way a Winnipegger is preoccupied with Winnipeg, the way a poet might be preoccupied with herself: through history and immigration; race and gender; anxieties and observation. Marked by rhythmic drive, humour and surprise, Undiās poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba, and the west. Taking its title from a beauty school in downtown Winnipeg that closed in 2017 after nearly 100 years of operation, Scientific Marvel approaches the prairies from the point of view of a person who is often erased from the prairiesā idea of itself. āI mean my country the way / my country means my country / and what else is there to say? / I am bad and brown / and trying. Nothing here / belongs to me or could / or ever will.ā
This is poetry that touches on challenging topicsāfrom queerness and colonialism to racism, climate rage, and decolonization, while never straying far from specific lived experience, the so-called āsmallerā questions: about self, art, dance parties and pop culture, relationships and love.











